Jaipongan is a a kind of dance
intercommunication the traditional sunda, karawang, west java, an extremely
popular in indonesia.
history.
Jaipongan was born through the creative process of hands to cold h
suanda about 1976 in karawang, are directed by jaipongan that combines several
elements the art of tradition karawang as martial arts, puppet golek, a mask
banjet, tap tilu and others.Jaipongan in karawang rapidly its growth begins
1976, in mark with the emergence of recording jaipongan suanda groups with
instrument simple consisting of kettledrum, tap, kecrek, is, trigon and sinden
or spokesperson for kawih.By the tape without label it indie label ) jaipongan
start distributed independently by h suanda in the karawang and surrounding.Not
allegedly jaipongan received a warm welcome, next jaipongan be a entertainment
the community karawang and received appreciation large enough from every the
community karawang and become a bandwagon new in space art and culture
karawang, especially the art of a performance of folk entertainment. Jaipongan
position at the time being the art of performing an alternative entertainment
of the art of tradition that had been grown and developed first in karawang as
penca silat , a mask banjet , knock on some tilu , tarling and wayang golek
.The existence of jaipong give color and shades of new and different in the
form of pengkemasannya , ranging from the arrangement of that composition
musikalnya up to in the form of the composition of the dancing .
Probably in
of all of us know origin jaipong dance from bandung or instead did not know
where it came from .Quoted of the head of culture and tourism ( disbudpar )
karawang , acep jamhuri “ jaipong is the real karawang .Born since 1979 derived
from tepak mask .Then taken to bandung by artists there , gugum gumilar
.Finally packed with make a recording of .Artists karawang brought together
suwanda .When successful , a good instead bandung .Karawang known only
gendangnya or nayaga ( a player music ) .So now we are in disbudpar will try to
dug again the dance jaipong that this art indeed came from karawang “ .Dance
brought into a town bandung by gugum gumbira , about in the 1960s, with the
goal to develop dance Karachi in bandung, which creates a type of music and
dance association deriving from the wealth of art folk traditions, especially
in West Java. Although including dance creations that are relatively new,
jaipongan developed based on folk art that has developed earlier, like Ketuk
Tilu, Kliningan, as well as Ronggeng. Attention Gumbira on folk art, one of
which is the Ketuk Tilu making it knows and knows very well the perbendaharan
patterns of motion dance traditions that exist on Kliningan/Bajidoran or the
Ketuk Tilu. Motion-motion openings, pencugan, nibakeun and some range of motion
mincid of some of the art was the inspiration to develop the art of jaipongan.
Before the
form of the art of performing it came about , there are some influence given
for this to the establishment of the intercommunication this dance .In urban
areas priangan for example , on the society elite , dance dance
intercommunication influenced ball room from the west .While at art the people
, dance intercommunication influenced local tradition .Performances tari-tari
traditional intercommunication is not separated from the existence of ronggeng
and pamogoran .In a dance ronggeng intercommunication no longer serves to
ceremonies , but to an entertainment or a sociable manner .The existence of
ronggeng in the art of performing have an appeal that has raise sympathy
pamogoran the house of .For example in tap dance tilu being so known by the
community sunda , it is estimated that this popular art about 1916 .As the art
of performing the people , this art supported only on elements of the simple ,
as waditra which includes trigon , kendang , two pieces kulanter , the three
knock on some , and gongs. So it is with motion of the dancer that has no
pattern of motion that raw, simple dancer costumes as a reflection of people's.
Along with
waning art form above, former pamogoran ( audience who are actively involved in
performing arts tap tilu / doger / tayub ) turned his attention to performing
arts kliningan, that is in the field the northern coast of west java (
karawang, bekasi, purwakarta, indramayu, and subang ) known as kliningan
bajidoran who pattern tarinya nor a performance have resemblance to art earlier
( tap tilu / doger / tayub ).In on it, the existence of what in a mask
banjetcukup popular, especially in karawang, in which some pattern motion
bajidoran taken of a dance in a mask banjet this.In koreografis that dance
still menampakan patterns tradition ( tap tilu ) containing element gerak-gerak
openings, pencugan, nibakeun and some variety of motion mincid which in turn
become the foundation the creation of dance jaipongan.Some basic gerak-gerak
dance jaipongan other than tap tilu, ibing bajidor and a mask banjet is tayuban
and pencak silat
This dance
start widely known since the 1970s .The emergence of a dance work gugum gumbira
initially called tap tilu developments , because that is indeed the basis that
dance constituting development of tap tilu .A work first gugum gumbira still
very condensed with color ibing tap tilu , both in terms of choreography and
iringannya , who then that dance being popular with appellation jaipongan .
the development of jaipong.
The work of jaipongan first started to be known by the community is dance
' leaves pulus uniformity of n bojong' and ' rendeng bojong' that both is a
kind of dance daughter and dance pairs ( the son and daughter ).Of a dance it
appeared to name a few dancer jaipongan are reliable as tati deeds, yeti mamat,
eli somali, and pepen dedi kurniadi.Early the sure that it had become topic,
ulgar.But from ekspos several media print, the name gugum gumbira started to be
known the community, what else after dance jaipongan in 1980 staged in tvri
central station jakarta.The impact of the kepopuleran increase the frequency of
performances, both in television, hajatan and feasts held by private and the
government.
The presence
of jaipongan contribute enough of crimes against the penggiat the dance to be
more active in again digging a type of folk dance formerly lacking concern
.With the emergence of dance jaipongan , used to the fullest by the dance
penggiat to implement courses dance jaipongan , used also on entrepreneurs
pub-pub night as enchantress guests , where further developments business
opportunities this kind of formed by the penggiat dance in their efforts
economic empowerment in the name of studio dance or grup-grup in some areas
areas in west java , for example in subang with jaipongan style ' kaleran' (
north ) .
A hallmark of
the style of kaleran jaipongan , namely cheerfulness , erotic , a humorist ,
the spirit of , spontaneity , and simplicity ( natural , whatever ) .It is
reflected in a pattern on the presentation of dance the sideshow , there are
those who were given a pattern ( ibing patterns ) as on the art of jaipongan
existing in bandung , also there are also a dance not dipola ( ibing saka ) ,
for example in the art of jaipongan subang and karawang .The term is can we
meet on jaipongan kaleran style , especially in areas subang .In penyajiannya ,
jaipongan kaleran this style , as follows: 1 ) tatalu; 2 ) kembang gadung; 3 )
fruit kawung gopar; 4 ) a dance an opening ( ibing patterns ) , usually
performed by a single dancer or sinden tatandakan ( sinden attack but could not
sing but menarikan song sinden / collector of kawih ); 5 ) jeblokan and jabanan
, was part of the show when the spectators ( bajidor ) sawer money ( jabanan )
while greetings outboard motor .The term jeblokan be defined as a couple who
settled between sinden and spectators ( bajidor ) .
Typical
jaipongan style kaleran, namely the fun, erotic, humorist, spirit, spontaneity,
and simplicity ( natural, it was ).It reflected in the presentation of dance in
the performance, be given a pattern ( ibing pattern ) as in art jaipongan in
bandung, also there is also a dance not dipola ( ibing saka ), for example in
the art and karawang jaipongan subang.The term is we can meet on jaipongan
style kaleran, especially in areas subang.In penyajiannya, jaipongan style kaleran
this, as follows: 1 ) tatalu; 2 ) kembang gadung; 3 ) fruit kawung gopar; 4 )
dance opening ( ibing ) pattern, usually played by a single dancer or sinden
tatandakan ( attack sinden but not can sing but they were doing this song
sinden / the kawih ); 5 ) jeblokan and jabanan, is part performances when the
audience ( bajidor ) sawer money ( jabanan ) as regards badge.The term jeblokan
interpreted as a dwelt between sinden and the audience ( bajidor ).
Today dance
jaipongan be referred to as one of identity keseniaan west java , this is
visible on some acara-acara important related to the guest of foreign country
come to west java , then met with jaipongan dance performance .Similarly
misi-misi art manca countries to be equipped with dance jaipongan .Dance
jaipongan much influence kesenian-kesenian other existing the west java ,
either on performing arts puppet , degung , genjring / terbangan , kacapi
jaipong , and almost all the people and performances on the music dangdut
dikolaborasikan with modern art jaipong be pong-dut.jaipongan who has diplopori
by Mr .Nur & Leni
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